Zhang Ziqing

Chinese poet, translator, scholar,

professor and editor Zhang Ziqing

at a conference at Suzhou University,

2007. Photo by Wang Yukuo.

Biography

Chinese poet, translator, scholar and editor Zhang Ziqing was born on 26 January

1939 in Nantong, Jiangsu Province. He graduated from the Department of Foreign

Languages and Literature at Nanjing University in 1964. Zhang was a Visiting

Scholar as a post-doctoral fellow at Harvard University(1982-83), a Fulbright Scholar

at Harvard University and the University of California at Berkeley (1993-94), and a

member of the Standing Committee of China Association for the Study of American

Literature. Interests in poetries of the west led him to become a researcher and

professor at the Institute of Foreign Literature Research at Nanjing University

(1964-1999). Zhang is a member of the China Writers’ Association and a Guest

Research Fellow of Chinese American Literature Research Center at Beijing Foreign

Studies University, Beijing.

U.S. 20th Century Literary Connections & Cultural Exchanges

Professor Zhang made close connections to writers across the United States:

American poets, critics, and Chinese American writers in Boston, New York, San

Francisco, Los Angeles, New Jersey, across the heartland and in Hawaii. In the

Boston area: poet Rodger Martin, critic and professor Michael True. In New York:

poets Anne Waldman and Simon Pettet. In New Jersey: poet Edward Foster, editor of

Talisman. In the Bay area: professor Marjorie Perloff at Stanford, Maxine Hong

Kingston at UC-Berkeley, poet Jack Foley in Oakland. In Los Angeles: poet Russell

Leong and critic King-kok Cheung at UCLA. In New Mexico: poet and critic

Nathaniel Tarn and poet Arthur Sze. In the west: poet David Evans. In Hawaii: poet

Wing Tek Lum. Zhang also had cultural exchanges at home and abroad with

Language poets Charles Bernstein and Hank Lazer, Zen poets Sam Hamill and

Norman Fischer, and the American Indian poet Duane Big Eagle. Zhang’s research

and scholarship led him to write a massive history of 20th Century American

Poetry for Chinese readers.

Beat Studies

Allen Ginsberg and Zhang Ziqing, San Francisco, 1994.

List of recommended poets by Allen Ginsberg given to Zhang Ziqing

in a restaurant after Ginsberg’s poetry reading in New York City, 1994.

Zhang Ziqing in 1994 with Lawrence Ferlinghetti at City Lights Bookstore [top left], with Philip

Whalen at Hartford Street Zen Meditation Center [top right], with Michael McClure at his home

(bottom left) and with Jack Foley in San Francisco, 1994 [bottom right].

In China and the United States, Zhang Ziqing is known for his scholarship on 20th

century American poetry, including the literature of the Beat Generation. While a

Fulbright Scholar at the University of California at Berkeley in 1994, he met several

Beat Generation poets including Allen Ginsberg, Lawrence Ferlinghetti, Philip

Whalen, Michael McClure and Jack Foley. These meetings led to him writing his

essay “From the Marginal to the Mainstream: Reflections on the Beat Poetry” that

was included in Above the Peaks: A Collection of Essays on Modern and Contemporary

Poetics, edited by Liu Jie-min (Wuhan: The Yangtze River Art & Literature Press,

2011, pp. 632-642). Meetings poets with ties to Buddhism across the U.S. also led Zhang to

write his essay “Selected Zen Poems” in Critique of Poetry Vol. 4, edited by Jin Di

and Meng Tian-lan (Chang Sha City: Northern United Publishing Media Co. LTD,

2014, pp. 310-339). Zhang is the author of A History of 20th Century American Poetry

(1995, 1997). Its three volume revised version, awaiting publication, includes three

chapters on the Beats: an overview and history (Ch. 5), a review of major and minor

Beat poets (Ch. 6) and a chapter on the neglected Venice Beats (Ch. 7).

Postcard from Allen Ginsberg to Zhang Ziqing (NYC, 26 March 1990)

in which Allen mentions receiving a literary questionnaire from Zhang.

Page one of letter from Ginsberg to Zhang in response to questionnaire.

Page 2 from Allen’s written response to Zhang’s poetry questionnaire.

Ginsberg’s response to Zhang’s questionnaire (NYC 8 August 1990).

Letter from Allen Ginsberg to Zhang Ziqing (NYC, 13 September 1992).

Post-Beat Studies

Zhang Ziqing reading a poem at a poet’s

gathering in Nanjing, China, 2016.

Professor Zhang became intrigued by the idea of there being a genre of “Post-Beat”

poetry in the United States after his Chinese colleague Wen Chu-an first mentioned it

to him in 2000. As an editor of Contemporary Foreign Literature, Zhang was

encouraged by Wen to introduce the Post-Beat (sometimes spelled “Postbeat”) to

China. Through Wen, Zhang met the editor of the first U.S. anthology to identify the

genre of “Post-Beat” poetry, Selected Poems of Post-Beat Poets (2008), Vernon

Frazer. Thus, a group of American Post-Beat poems edited by Frazer and translated

into Chinese by Wen Chu-an and Lei Li-min also included an essay on Beat and

Post-Beat poetry by Zhang entitled “Are Beats and Post-Beats Decadents or ‘Pituo

School’?” as a preface to the anthology. Zhang also had an essay entitled “On

American Postbeat Poetry” published in Heteroglossia Among Archipelagos: Selected

Esseys of Modern and Contemporary Poetics, edited by Liu Jiemin (Wuhan: The

Yangtze River Art & Literature Press, 2014, pp. 408-418).

Zhang Ziqing and Vernon Frazer at

the Nanjing City Wall, 2004.

At the invitation of American professor and poet Charles Bernstein, Anne

Waldman––co-founder of the Jack Kerouac School of Disembodied Poetics at Naropa

University in Boulder, Colorado––and Zhang attended an International Conference on

20th Century American Poetry at Central China Normal University, Wuhan, on 21-23

July 2007. At the conference, on July 22, Waldman and Zhang gave a poetry reading

together: she read passages from Fast Speaking Woman (1975, 1978, 1996) in English

while Zhang read his translations in Chinese. Zhang also introduced Waldman and her

poetry to Chinese readers in his translation of a group of her poems, and his essay

“Anne, an Outstanding Poet: from Beat to Post-Beat” that appeared in Contemporary

International Poetry (No.1, 2009) in Beijing.

Zhang Ziqing and Anne Waldman after her poetry

reading with Allen Ginsberg, New York City, 1994.

Zhang concluded that the first shot of American postmodern poetry came from the

Beat poets headed by Allen Ginsberg who became a patron or mentor of the Post-Beat

poets. Zhang identified poet Anne Waldman as a living bridge between Beat and

Post-Beat poetries. His research suggested that three American poets played critical

roles in Post-Beat poetry: Vernon Frazer, Jim Cohn and David Cope. As a poet deeply

influenced by the work of Jack Kerouac, Frazer promoted Beat aesthetics such as

spontaneity and the return of poesy to its oral tradition roots. Frazer’s contribution lies

in his editing of Selected Poems of Post-Beat Poets, an anthology that first introduced

the Post-Beat poets and their work to China. It was Frazer who first gave poetry

readings in China as a Post-Beat poet. Zhang saw Jim Cohn as a major elucidator of

Post-Beat poetry as a critic and former teaching assistant of Ginsberg. He saw David

Cope as a major Post-Beat poet, a friend of Ginsberg’s work and legacy as influenced

by Charles Reznikoff and William Carlos Williams. Zhang devoted a chapter (Ch. 22)

on Postbeat Poetry in his A History of 20th Century American Poetry and also covers

the “Heart Sons” of Allen Ginsberg: the American poets Antler, Andy Clausen and

David Cope.

American poets Jim Cohn (l) and David Cope (r),

hiking the Arapahoe Pass Trail, Indian Peaks

Wilderness, summer, 1994. Zhang and Cohn began

a correspondence on 5 March 2010. Cope and

Zhang would begin a correspondence thereafter,

culminating in an anthology to be published

entitled Bridges Across the Pacific: An Anthology

of Chinese and American Empathy Poems.

Allen Ginsberg’s Heart Sons: American poets Antler and David Cope, Naropa University,

Boulder, 1994 (left). Poets David Cope and Andy Clausen, Hoboken, 1983 (right). Photo

by Sharon Guynup. In 1980, Ginsberg had proposed a book featuring his three favorite then

younger poets: Antler, Clausen and Cope to Lawrence Ferlinghetti at the famed City Lights

Bookstore. The project fell through, but Antler’s epic poem “Factory” was published in

the Pocket Poets Series (#38) by City Lights Books in 1980.

Publications

Editor of How do the Westerners Look at China in series (Nanjing: Nanjing

Press, 2006)

On American New Pastoral Poems in collaboration with Luo Zhu (Beijing: China

Drama Publishing House, 2006)

Editor of Chinese American Fiction in series (Nanjing: Yilin Press, 2004)

Editor of Cultural Meetings: American Writers, Scholars and Artists in China in

collaboration with Professor David Evans (Guilin: Guangxi Normal University

Press, 2003)

A History of 20th Century American Poetry (Chang Chun: Jilin Education Publishing

House, 1995, 1997)

Two Sides of the Globe: Contemporary Chinese and American Literatures and Their

Comparison in collaboration with Chen Liao and Michael True (Nanjing: Nanjing University Press, 1993)

Selected Essays

“On American Postbeat Poetry” published in Heteroglossia Among Archipelagos:

Selected Essays of Modern and Contemporary Poetics, edited by Liu Jiemin

(Wuhan: The Yangtze River Art & Literature Press, 2014, pp. 408-418).

“Selected Zen Poems” in Critique of Poetry Vol. 4, edited by Jin Di and Meng Tian-lan

(Chang Sha City: Northern United Publishing Media Co. LTD, 2014, pp. 310-339).

“From the Marginal to the Mainstream: Reflections on the Beat Poetry” in Above the

Peaks: A Collection of Essays on Modern and Contemporary Poetics, edited by Liu

Jie-min (Wuhan: The Yangtze River Art & Literature Press, 2011, pp. 632-642).

“A Dialogue between Chinese and American Poets in the New Century: Their Poetry

Readings, Translation and Writing in Collaboration” in Contemporary

Comparative Literature: East & West, Autumn /Winter 2011, No. 2, Vol.15, pp.

65-81.

“Does Poetry Make Anything Happen? A Dialogue between Chinese and American

Poets in the 20th Century” in Contemporary Comparative Literature: East &

West, Autumn /Winter 2009, No. 1, Vol.2, pp. 57-95.

“The New Zen Poetry in China” in Talisman, Fall 1994/Winter 1995, pp. 154-158.

Chief Translations

The Waste Land and Other Poems by T. S. Eliot in collaboration with Zhao Luo-rui,

(Beijing: Yan Shan Press, 2006).

Always A Reckoning And Other Poems by Jimmy Carter (Beijing: Kunlun Press,

2006)

Birthday Letters by Ted Hughes (Nanjing: Yilin Press, 2001)

Selected American Language Poems in collaboration with Yunte Huang (Chengdu:

Sichuan Art and Literature Press, 1993)

Selected Poems from T. S. Eliot (Chengdu: Sichuan Art and Literature Press, 1985,

1992)

Award Recipient

Zhang received the following awards for his monograph A History of 20th Century

American Poetry:

National Social Science Foundation Grant (2016)

First Prize, Humanities Research Science Foundation of Nanjing University (1998)

First Chang Bai Shan Excellent Book Award (1997)

Third Jiangsu Philosophy and Social Sciences Excellent Book Award (1997)