Introduction to Napalm Health 2014:
The Heart Sons & Heart Daughters of Allen Ginsberg
Archive Edition
Napalm Health Spa (NHS) was an online indy micropress poesy
magazine begun in 1990. Its title was taken from “Clean Cut Kid,” off Bob
Dylan’s Empire Burlesque LP. The NHS archive can be found at http://www.poetspath.com/napalm/napalmmenu.html.
This Heart Sons & Heart Daughters Of Allen
Ginsberg, which follows up on the 2013 Napalm
Health Spa special edition Long Poems
of the Postbeats, is the final issue. The magazine ran for twenty-five years and was
contemporaneous to these other mags: Abraxis, Big Bridge, Big Hammer, Big Scream, Bombay Gin, Friction, Heaven Bone and Long Shot, to name a few Postbeat poetry venues.
Oakland poet
Marc Olmsted had expressed the idea to me of heart sons and heart daughters years ago. The designation is a Tibetan Buddhist
term referring to the influence of one’s teacher upon a student. The core of the
“heartson” and “heartdaughter”
idea is transmissional. The idea of a circle of
younger poets around Ginsberg––poets whom he recognized, helped in many
material and literary ways, for ambiguous reasons on occasion, prophetically on
others––would themselves become lineage
holders was always NHS’s
organizing principle at its core. I was convinced early on about the merit of
my contemporaries.
These poets and
writers––individually and collectively––furthered American poesy consciousness
with dharma vernacular invention that is both in the tradition of making it new
and autonomous, and in a heartfelt way, always in the spirit of Allen Ginsberg,
who served as a root face, mentor, friend, guide, icon, father being of their
own life and/or art. They accomplished this in a historical context of
tremendous diversity, alongside poets from across all life’s communities. Their
accomplishments in poetry reflect the expansive nature of poetics
experimentation and invention they both received and acted upon.
I witnessed most
of these poets output first-hand, before and since Allen’s death in 1997. I
knew of these people via Allen. I wanted to see if they amounted to anything. I felt that was my purpose. It
had to be done. The writing herein is to be measured against its time and times
to come. It does not exist as a kind of re-creation of Beat literature. These
are not poets who toiled in the fields of anonymity their entire lives to pay
homage exclusively to somebody else. It’s a beautiful arc––this walk of the
poems––that each poet herein made and leaves the future.
I would like to
thank every single person who contributed to the magazine over the years. To
the poets that held up the magazine’s run by their
work... All 400-plus poems in the Heart
Sons & Heart Daughters of Allen Ginsberg have, since the astonishing
circumstances of their makings, a durability.
Allen’s memory
is one of antidote––venon & antivenon.
His was a candor-driven, vivid antiwar & compassionate tradition, a
counteractive to any neurotic-paranoid-tradition. This is what the heart sons
and heart daughters did with their lives as poets, to both the credit of his
living memory and to the accomplishment of each of their own dreams for the
world.
Jim Cohn
Louisville, CO
4 July 2014