H
e a r t S o n s & H e a r t D a u g h t e r s of A l l e n G i n s
b e r g
N
a p a l m H e a l t h S p a : R e p o r t 2 0 1 4 : A r c h i
v e s E d i t i o n
ANNE WALDMAN
from Matriot Acts
“Women are the
weapons of history, we are the
symbolic representations of compassion and decency.”
– Carrie Mae
Weems
invoke the hyena in
petticoats!
laughing hyena, spotted
hyena, striped -
all stalk the charnel ground amidst
microscopic &
telescopic worlds
a step ahead of what is to come in lineage
in gratitude, in naming las madres
las mujeres,
look for reclamation, sniff it out…
in a voice not my own but all of them
the wizened ductile face of slumbering
female memory:
beginning of time, the
timepiece of time
she who was the mother of a ghost ship
Ship of Locked Awe and subjugated dream
she who could never be reduced to a “gender
issue”
she who announced a talismanic bond to
planet
who saw vole tracks in the snow once on the
radical poet’s tiny
death plot
Lorine, Lorine! you can come out now…
who salvaged a blow dryer for the art people
while
they sold the rights to textures of paper, of glass
(touch me, touch me
with crenellated beauty now)
particles in the
sunlight, a democratic grace
who documented all hurts and slights &
transmuted them
to poetry, to flesh, to the wink after sex
she was a challenge in my heart, the penultimate mother
did you have any animals around you from the
start?
did you enjoy yourself a lot?
how old were you when you started this
running around?
what was your mother tongue?
was it in a language that translates “ocean
of bliss” to a seed syllable
She reports a tabula rasa and a grandmother who cautions
“Denial Silences Violence”
“Remember the Suffragettes”
or considers William Blakes’s
schema of Los representing
Imagination in Action
who then tries to create forms so they can
be recognized
who then gets deluded that it created the
universe and can thus control it
and then whose zones split into genders
genders lost in realms
of jealousy & fractal time
battling the projected
others
little figurines with
large vulvas and bursting bellies
see? you see?
seeing one’s own
reflection in a pool produces a double
while another
character sacrifices herself to the sun
[Originally
published in NHS 2006, http://www.poetspath.com/napalm/nhs06/Waldman.htm.]