H e a r t   S o n s   &   H e a r t   D a u g h t e r s   of   A l l e n   G i n s b e r g

N a p a l m   H e a l t h   S p a :   R e p o r t   2 0 1 4 :   A r c h i v e s   E d i t i o n

 

 

JANINE POMMY VEGA

 

 

Majik's Mala

(for Harris Breiman)

 

 

Majik's mala

 

click clacking in a quiet room

 

jerky moves of the bone beads slipping

 

down the string

 

 

Places you wouldn't think pain knew about

 

open up, we are re-instructed:

 

Mother Buddha's string of beads,

 

and a hopeful puppet in her sixties

 

still on the lookout for freedom

 

 

It may not come climbing mountains

 

as before, or plumbing the depths

 

and positions of sexual nature

 

It may not come running high speed

 

through the woods like a dog in the summer hemlocks

 

May not come trekking out to find death sitting alone

 

in infinitudes of winter

 

 

But in slowly giving up, in the hand unclenched

 

the personality cooked like soup

 

inside the skull

 

Come all you who are hungry

 

Come and eat.

 

 

Too long fixed in place, the body

 

becomes an ironing board,

 

a bicycle standing against the wall,

 

it creaks into use, the slow spokes,

 

screech of legs propped up in the living room,

 

Locked in a photo frame one has time

 

to observe mortality click clack

 

it is not unhappy.

 

 

No fixed opinion

 

when fluid motion is yanked away

 

it might just as well be heads

 

as tails click clack

 

these things do not matter.

 

 

Freeze frame of Majik Labdrom's mirror

 

the absurdity of us marching dignified

 

to a graveyard one step two step Oops!

 

off the curbstone, down like a man in profile

 

The Punch and Judy Show

 

to a crowd of San Francisco children

 

Wap! He's down! Wap! He's up again!

 

click clack click clack clack

 

 

An umbrella opens, the taffeta hangs tattered

 

the spokes like a ribcage sing

 

in the wind

 

Fluid moves so rare we notice now

 

when they come up, like animated movies

 

Goofy drops his gumball down the sewer

 

Minnie holds onto her hat as she plunges skyward

 

off the cliff like a kite.

 

 

No references, no grave demeanor

 

considered opinions melt in the soup bowl

 

of the skull, click clack

 

Hey! Comes a moment, Hey!

 

No limping, no hunched shoulders, no stiff elbows

 

a body is moving easily over the landscape

 

 

Hey, what happened?

 

Majik Labdrom in meditation

 

her mala serenely around her neck

 

each bead in motion, in static grace

 

each bead in fluid motion.

 

 

Majik Labdrom, pronounced ladrĂ³n,

 

like a Puerto Rican second story man,

 

The nice thing about God as a thief

 

is she takes it from you

 

willing or not, knowing or not

 

she takes it, you wake up one morning

 

and it's all decided: mobility (or good looks

 

a perfect ass, a capable memory)

 

has disappeared.

 

 

Coming out of sleep, the chrysalis

 

kicks off its cocoon, the (choose one)

 

praying mantis katydid grasshopper's

 

arms and legs are littered across the plain

 

and works of art, the diamond rings

 

are swimming down in the muck with the snails.

 

 

 

Willow, NY, January 13, 2005

 

 

Majik Labdron: Female "Mother" Buddha. Inventor of the chod ceremony,

she is often depicted dancing, usually in a graveyard.

 

Mala: String of prayer beads, worn around neck, or on wrist, or in hand.

Each bead can be used for a repetition of the mantra.

 

 

[Originally published in NHS 2008, http://www.poetspath.com/napalm/nhs08/Janine_Pommy_Vega.htm.]