H
e a r t S o n s & H e a r t D a u g h t e r s of A l l e n G i n s
b e r g
N
a p a l m H e a l t h S p a : R e p o r t 2 0 1 4 : A r c h i
v e s E d i t i o n
ELIOT KATZ
With Eyes on the Kitchen Table
On my kitchen
table, there is a photo of a prisoner
wearing a hood &
electrical wires, forced to stand
on a box with
arms outstretched.
Who would order
the sort of torture
that human-sculpts
a prisoner into a Christ-like figure?
Aren't the
contradictions too obvious even
for "military
intelligence"? And who would quietly
take the photo,
etching this moment for eternity?
These last few
weeks, I've been talking
to the guy in the
picture. I asked him what his
name was, whether
he has a family, is he able
to return, does
he have permanent physical
scars, were there
slits in that hood enabling
him to see his
torture, did he think the hood
was meant to look
like a Klan hood, was
the Christ pose
supposed to insult his religion?
I asked whether
and how often they sent electro
shocks through those
wires and were wires
really hooked to
genitals as rumored, had they beaten
him before and
after this pose? After a week
of my questions I
began to feel terrible for adding
more queries he was
in no position to volunteer
to answer.
Shifting gears, I started alternating
between apologies on
behalf of America's
true majority, then
changing my mind & assuring
him most Americans
would never condone
such unconscionable
action, that we were separate
from our current
administration & were really not
responsible, though I
would not be able to offer many
certainties until the
November results were in. Unsure
in the end whether
a personal apology was warranted
or would be seen
helpful, I promised the guy I would
speak up, that one
day in America the buck would stop
with each of us,
not excluding our elected leaders––
but not even a vow
of activism could elicit even a hint
of absolution
from the guy in the photo. It was
the kind of visual
testimony that creates a bubble shame
out of thin air,
which spreads across all known
physical,
psychological, and multimedia boundaries.
And then there
were other photos, naked pyramids
of chained
humiliation, men with fist-sized chunks
of thigh-flesh
ripped off bones by military dogs, bluing
corpses packed in army
shower ice, smiling torturers
framing mad power's
most wretched wounds, videos
of U.S. soldier
rapes thus far only privately screened
in congressional
curtained rooms. Pull those drapes away
so we can look
into the victims' eyes and experiment
with magic word
combinations from now until that day.
[Originally
published in NHS 2005, http://www.poetspath.com/napalm/nhs05/eliot_katz.html.]