H
e a r t S o n s & H e a r t D a u g h t e r s of A l l e n G i n s
b e r g
N
a p a l m H e a l t h S p a : R e p o r t 2 0 1 4 : A r c h i
v e s E d i t i o n
CARMEN BUGAN
(A shadow wrings her hands in a room full
of light)
A
shadow wrings her hands in a room full of light.
She
lives in the possible palms of a lover––
How
they made a violin of her body in his attic flat
And
how morning arrived clear with loss
Like
a knife slicing kisses.
She
recalls the resolute music of sheets and limbs
Entangled
in what has no name––
A
spell, she thinks, destroyed with words.
This
October wind comes through the window
Like
he does––uninterrupted, caressing––
And
vanishes the same, yet leaves
Invisible traces of love on her cheeks.
He
will permeate her like absence
Until
she will disappear at evening––
Without
reproach, unshadow, unself
And not alone, once again.
She
tells him that the peonies and geraniums and roses and lilies
Grow
so strongly it must be a good sign: he will get better, she says.
This
is the hour when there is only time for
Delicate
colors around the gray house, the locus trees in the yard
From
which they take armfuls of blossoms and bring them in
And
fill the rooms with white scent of blown spring.
[Originally
published in NHS 2001, http://www.poetspath.com/napalm/nhs01/bugan.html.]